ACT English Parallelism

In this post, we are going to take a look at errors in parallel structure, how to find them, and examine how to correct them on ACT English. Did you catch the mistake I made in the above sentence? If you did, gold star to you. If you didn’t, that’s completely ok. People mess this up all the time. So let’s get to work. Lists of items When two or more items are given equal weight in a sentence, they should be written as similarly as possible. The simplest example of this is a list of items: For breakfast, I like to eat cereal, fruit, and I also like yogurt. â€Å"Yogurt† is getting a little extra love there, and grammatically-speaking, that’s a no-no. To correct the parallel structure we need to get rid of the stuff in front of â€Å"yogurt† so we just have a list of three nouns: For breakfast, I like to eat cereal, fruit, and I also like yogurt. Lists in a sentence don’t necessarily have to be a group of nouns; they could be verb phrases, for example. To escape the wicked witch, the boy ran out of the gingerbread house, rolled down the hill, and went jumping across a river of fire.   ↠ wrong To escape the wicked witch, the boy ran out of the gingerbread house, rolled down the hill, and went jumping jumped across a river of fire. ↠ right So let’s go back to the sentence I started with: In this post, we are going to take a look at errors in parallel structure, how to find them, and examine how to correct them on the ACT. See that extra verb in the third part? All of the items in the list follow from â€Å"take a look†¦Ã¢â‚¬  We are â€Å"taking a look† at errors in parallel structures, how to find them, and how to correct them. Here’s the smoothed out version: In this post, we are going to take a look at errors in parallel structure, how to find them, and how to correct them on the ACT. Parallel Comparisons Trickier parallelism questions will make an appearance in comparisons. Take a look at the following sentence: Danny’s test scores weren’t as good as Bryan. In this case, you know what the sentence means, so in ordinary life, you might just go right past a question like this one. But on the ACT English test, you need to have eagle eyes. A closer look reveals the parallel structure is faulty. We are comparing Danny’s test scores to Bryan’s test scores. Not Danny’s test scores to Bryan, the person. Danny’s test scores weren’t as good as Bryan’s test scores. So when you see comparisons on the test, make sure they are comparing apples to apples and not apples to oranges. Prepositional Phrases Sometimes even trickier parallel structure questions have to do with prepositional phrases. Take a look at the following sentence: I wasn’t informed or interested in the after-dance party. You may have a feeling something is off here, but   may not be sure what. Well, let’s take out â€Å"or interested† for a moment. Then we just have â€Å"I wasn’t informed in the after-dance party,† which doesn’t make sense. We need a preposition to go with â€Å"informed† that works with that verb and sets up the parallel structure with â€Å"interested in.† Here’s one solution: I wasn’t informed about or interested in the after-dance party. So when it comes to parallelism on the ACT English test, make sure you watch out for three specific scenarios: List of items that are supposed to be weighed equally (nouns, verb phrases, etc.). Remember: a â€Å"list† could just be two items! Comparison of two or more items. Make sure that, grammatically-speaking, the lists are comparing the same type of thing. Multiple prepositional phrases in the same sentence. Take care that a preposition essential to understanding the meaning (and maintaining elegant parallel structure) isn’t dropped!

Outline Of An Overall Theory - 918 Words

According to www.merriam-webster.com the term â€Å"crime† is defined as: â€Å"an illegal act for which someone can be punished by the government†. Some individuals in our society commit some type of crime every day, but why? In this assignment I will try to compile an overall theory as to why individuals commit crimes. While doing my research I came across 10 reasons/factors that can possibly explain why individuals commit crimes. These reasons include: The Prison System, drugs, depression and other social and mental disorders, family conditions, regionalism, T.V. violence, racism, politics, poverty, and overpopulation. The prison system is a major cause of crime because many prisons do not offer rehabilitation programs so that criminals can at least try to or learn how to become a better individual in society. Jails or prisons typically tend to make individuals worse due to the harsh conditions that exist within the jails and prisons; especially when in some prisons and jails +survive. This of course leads to criminals committing crime within a prison or jail. Drugs are also a major reason as to why individuals commit crime. When an individual is addicted to drugs they will commit any crime necessary in order to support their drug habit. Also, there are many individuals who are drug dealers who are highly involved in the drug trade; drug dealers will typically commit any crime when it comes to their drug product and their profits. Typically the main reason or factor as to whyShow MoreRelatedResearch Proposal1267 Words   |  6 Pagesfor conducting the research--a methodology consistent with requirements of the professional or academic field. Other than that, it is a document written by a researcher that provides a detailed description of the proposed program. 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Additionally, the goals and group expectations should be discussed with the group members, providing them with the opportunity to share their input and possiblyRead MoreThe Effect Of Pay Level On Job Performance Of Call Center Employees Essay858 Words   |  4 Pagespresents the outline of the research project, including the different sections and summary descriptions of the information contained in each section. Overall, the research comprises six different sections. These include the introduction, literature review, analysis approach, results, discussion, and conclusion. It is important that these sections are well knit to ensure a logical flow of ideas and clarity in the presentation of the research report. The following section shows the research outline. Topic:

The Use of Wind Power Is the Answer for the Future

The use of wind power is the answer for the future. The use of wind power has developed from when it was first used to power ships in ancient civilizations like trading botes that sailed the Nail Egypt. Wind power was then captured by wind mills on farms to produce mechanical energy. This energy was then used to pump water to irrigate crops so farmers could have a more reliable harvest. Windmills also powered and to grinders that that crushed up grains. In today’s society wind turbines have been developed that makes wind a feasible source of fuel for America. Wind Energy is no longer a simple idea of little importance. It has developed into a major and dependable source of energy. The dependence on fossil fuels is a big problem in society however, if we take advantage of renewable technology like wind energy, the economy and the environment will benefit. Wind turbines offer many positive advantages. They boost the economy, on a local and national level. Wind power is a clean energy source, and unlike dirty fossil fuels. Wind power helps protect our planet by reducing pollution and lowering the amount of harmful emissions that contribute to global warming. Wind is completely renewable, and is a domestic source which will decrease our dependence on other countries. Wind turbines are not flawless, they do have some problems. One of the first problems is the limitation of wind power. Scene the turbines rely on wind to generate electricity if there is no or vary little windShow MoreRelated Wind Power in the Near Future Essay880 Words   |  4 PagesWind Power in the Near Future Today many people are anxious about energy for the future, as it seems realistic that petroleum energy will someday run out and since some environmental problems caused by petroleum use are getting worse. As alternatives to today’s main energy source, oil, some others have been proposed already, such as solar, water, biomass, and nuclear. 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Competitiveness of Singapore with other Destinations

Question: Describe about the Report for Competitiveness of Singapore with other Destinations. Answer: Introduction This essay has been discussed about the critical issues in tourism in Asia specific reason. The destination Singapore has been chosen for the analysis. This essay has been discussed about the tourism of Singapore and main attributes which has competitiveness for the designation. Singapore is a small and independent country in the world with the mixture of different religions. Today, Singapore is a prosperous state in South-east Asia. It is financially strong country and also famous for Asias economic tigers. It is also famous for its stability and safety in all over the world (BBC, 2016). Singapore is world famous for its tourism destination. It is famous for its art, culture, nature, wildlife, shopping, hotels, festivals, events, food and much more. Singapore is always a popular country among Australian tourist for travel. The main attributes of Singapore and that importance are discussed below: Singapore is one of the largest sectors in tourism in all over the world. Although it is small country but it always gives competition to the other counties in entertainment array (yoursingapore, 2016). Singapore is the famous for many attributes like hotels, festivals, green environment etc. Singapore is the main destination for tourist in all over Asia. It is famous destination for businessmen because of being rich economy and financial hub in the world. It is also famous for festivals and events which are organized in Singapore in time to time. Tourist can have fun throughout the year. The main attribute of Singapore competitiveness is special events that are organized by different countries in Singapore. There are many events take place in Singapore because this country is considered as the safest country in the world. Apart from this, the location of Singapore is in centre which can be accessed by all (Singapore Tourism, 2016). For determining the competitive advantage of Singapore, the model of destination competitiveness has been taken which is given by Ritchie and crouch. Model emphasize that Singapore is achieving success by creating strategic advantage. Figure 1: Destination Competitiveness (Source: Ritchie Crouch, 2010) The global (macro) environment In the model, the global (macro) environment consists of a vast array of phenomena which impact travel and tourism industry of the country. Macro environment is global in its scope. Events those took place in Singapore is the array by which travel and tourism industry have positive impact. Macro environmental factors consist of six principal groups related to the economy, technology, ecology, political and legal developments, socio cultural issues, and the constantly evolving demographic environment. The competitive (micro) environment Micro environment consists of destinations immediate arena of tourism activities and competition. Customers who are tourists also should be the focus in the micro environment. The Australians choose Singapore because of some reasons: A shoppers paradise, best facilities of hotels and a nation of educated people. The visiting of tourist has increased because of its events and festivals and Singapore gets opportunity to create more entertainment so that people come again and again and stay there for a long time. Core resources and attractors This component of the model describes the primary elements of destination appeal. It is these factors that are the key motivators for visitation to a destination. Special events represent a distinctive extension to that of the activities mix. The events of Singapore always attract Australian tourists. They give preference Singapore as compared to other countries. Many events like COMEX IT fair and sales events that organized every year in the country, are the centre of attractions for tourists. Australian tourists who come for the business events also enjoy fun events there. They also experience different variety of food and night life of Singapore. They like the mix culture of Singapore. Australians always give preference to easy life and in Singapore, they always get easy way of life with lots of fun and entertainment (Koumelis, 2012). Competitive analysis It is an evaluation of how destination compare to other destination. For the comparison, Macau has been taken. Macau is also a leading tourism country in the world. Many tourists come from Australia to Macau every year. Macau is a great city with unique cultural background. It has also good hotels and casino for tourists (Business news, 2011). Macau is a small city as compared to Singapore so accessibility of destinations is close to each other. In spite of all these good things, Macau is not the first choice of Australians for business events compared to Singapore. First Reason is that Macau has met a financial crisis in 2008 and it decreased in the number of tourist and income. Second, Macau is dependent on China government so it is not so much financially strong compared to Singapore. Third is that Macau is famous for gambling. So, it is not considered as the safe place compared to Singapore by Australians (Elaine, Ken, Moses, Raynis, Raymond, N.D.). Destination management This component consists of those activities which implement planning framework. The philosophy is to develop the destination with respect to economic, social and environmental goals. Brand image is a set of belief held by consumer for any specific brand, product or service (Kapferer, 2012). Singapore is famous for business events which are organized by different countries. It is always the favorite choice of Australian market for conducting events. The management board of Singapore tourism, Singapore Tourism Board, It has launched a branding campaign named Uniquely Singapore for tourists. It is an attempt to attract tourists of other countries by showing the unique image of Singapore. This campaign delivers a high level of service quality and satisfaction. Singapore Tourism Board has also been focusing on Australian tourists with the one of marketing campaign named Get lost and find the real Singapore. With this STB promoted a new tourism plan named Tourism 21-Vision of a Tourism Cap ital. The main aim of this plan is to offer memorable holiday experience. Reason to do business events in Singapore rather than other countries is that it is a small but financially rich country. The best and modern infrastructure makes it a green and clean country so it attracts tourists to travel there (Yee, 2009). The current situation of Singapore in tourism is very good and there is no doubt that it will be a great hub for new attraction and events. The biggest challenge for Singapore will be that there is lack of resources because it is a small country. There are recommendations to Singapore, which can be given that it should increase more technology to increase number of visit of tourist. It could also make the trip better and easy for them. For better performance, Singapore should do research on the views of tourists that what is the view of public on Singapores identity. Conclusion It has been concluded that Singapore has different qualities from other countries as Malaysia, Hong Kong, Fiji, Macau and South Korea etc. It is also the country of clean and green land and sounds politically safe. It is the most leading tourism destination and popular choice of Australian tourists because of its food, hotels, transport, nightlife, culture, festivals and events. The transportation of Singapore is a big strength for the country that provides best convenience to visitors. The mixture of traditional and modern culture has surprised the Australians. This campaign is mainly for Australians so that can enjoy the real Singapore and consider the Singapore as a best destination in future. Reference BBC news (2016), Singapore country profileaccessed on 17th August 2016 from https://www.bbc.com/news/world-asia-15961759 Business news (2011), Singapore most competitive tourism industry in Asia, accessed on 17th August 2016 from https://sbr.com.sg/hotels-tourism/news/singapore-most-competitive-tourism-industry-in-asia Elaine, F.I.M., Ken, L.T.M., Moses, H. K.I., Raynis, C.I.H., Raymond, H.M., (N.D.), Develop Macau as a Sustainable Tourism Destination in terms of Hotel industry, Macau:Macaus university Kapferer, J.N.,(2012), The New Strategic Brand Management: Advanced Insights and Strategic Thinking (5th edition), GB: Kogan page ltd.Koumelis,T.,(2012), Singapore tourism: Competing at a new level, accessed on 17th August 2017 from https://www.traveldailynews.asia/columns/article/49671/singapore-tourism-competing-at-a Singapore Tourism (2016), accessed on 17th august 2016 from https://www.stb.gov.sg/about-stb/what-we-do/Pages/Marketing-Singapore.aspx?AspxAutoDetectCookieSupport=1 Yee,F.W.,(2009), Nation branding: A case study of Singapore, Los vegas: University of Nevada Yoursingapore (2016), accessed on 17th August 2016 from https://www.yoursingapore.com/en_in/editorials/10-reasons-to-visit-singapore-2016.html

The History of Italian Theatre Essay Example For Students

The History of Italian Theatre Essay The Italian Renaissance occurred from 1550 1700. The rapid economic growth in Italy during this time made it possible for the more wealthy citizens to indulge in alternate forms of entertainment. Wealthy families such as the Medics began a system of patronage, in which they would finance artists to produce art in many forms. Italian theatre used the plays of ancient Greek and Roman theatre (dramas) as well as mediaeval theatre (religious plays) as a foundation. Comedic delegate The main style used by theatre groups in Italy during this period was called comedic or Comedic delegate. Comedic delegate or the comedy of professional artists was a mainstay in Italian theatre during its renaissance. This included bits of comedy performed by different actors called lazuli. The type of comedy used in the Italian Renaissance was what is now known as slapstick or farce. This was a comedy style, which highlighted pain or misfortune occurring to the actors in a humorous context. For the most part the actors in these comedies used no scripts. The actors were given a plot or scenario and acted out these plots in a humorous way. These performances were often vulgar and obscene. We will write a custom essay on The History of Italian Theatre specifically for you for only $16.38 $13.9/page Order now Standardize characters developed and appeared in familiar costumes and wearing masks. The character standards for Comedic included these general outlines: Pantaloon: A greedy old man, merchant or fool, often lustful, conniving, and meddling. Tottered: A drunk, often professor or doctor dressed in a cap and gown. Capitan: A soldier who was braggadocios and cowardly. Inamorata: Young lovers who appeared quite normal compared to the rest of the characters. zinnia: Foolish servants. Usually two servants, one being drunk and more foolish than his cohort. Neoclassicists were rigid critics of Italian drama. They developed rules for theatre performances that survived for nearly 200 years in Europe. These mandates were claimed to have been derived from Greek and Roman models. Five central concepts of neoclassicism are as follows; verisimilitude, decorum, purity of genres, the three unities, and two fold purpose. Verisimilitude The seeking of truth. An attempt to portray the performance as a reasonable interpretation of what is real or reasonably expected in real life. Decorum The way in which characters of certain classes behaved according to that class. Age, sex, rank, and profession would be acted out as if the characters held those standings. A strong sense of moral right and wrong was upheld, reflected by the punishment of evil, and the rewarding of good. Purity of Genres Comedy and tragedy were never mixed. The elements of one genre were never to be interspersed with the performance of another. The use of the chorus, the dues ex machine, and the soliloquy, was prohibited. The Three Unities The concept of the unity of time, place, and action. Unity of time required a reasonable time for the action of the play to take place; usually no more than 24 hours. Unity of place required that the play should include no more than one place or location. Unity of action required that there be no sub plots, secondary plots or counter-plots. Two Fold Purpose The two purposes of neoclassical Italian plays were to teach and entertain. Opera Opera is the one form of Italian renaissance theatre that still survives to this day. It was developed in the late asses in Florence. Opera was originally an attempt to recreate a genuine Greek tragedy. Observing the Greek fusion of music and drama, the originators of opera attempted, and succeeded in, producing a completely sung illegal in their interpretations. Opera is a form of drama that creates its mood, actions, and characters through music. .uf78b5835ba511400e19e2de624776623 , .uf78b5835ba511400e19e2de624776623 .postImageUrl , .uf78b5835ba511400e19e2de624776623 .centered-text-area { min-height: 80px; position: relative; } .uf78b5835ba511400e19e2de624776623 , .uf78b5835ba511400e19e2de624776623:hover , .uf78b5835ba511400e19e2de624776623:visited , .uf78b5835ba511400e19e2de624776623:active { border:0!important; } .uf78b5835ba511400e19e2de624776623 .clearfix:after { content: ""; display: table; clear: both; } .uf78b5835ba511400e19e2de624776623 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uf78b5835ba511400e19e2de624776623:active , .uf78b5835ba511400e19e2de624776623:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uf78b5835ba511400e19e2de624776623 .centered-text-area { width: 100%; position: relative ; } .uf78b5835ba511400e19e2de624776623 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uf78b5835ba511400e19e2de624776623 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uf78b5835ba511400e19e2de624776623 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uf78b5835ba511400e19e2de624776623:hover .ctaButton { background-color: #34495E!important; } .uf78b5835ba511400e19e2de624776623 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uf78b5835ba511400e19e2de624776623 .uf78b5835ba511400e19e2de624776623-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uf78b5835ba511400e19e2de624776623:after { content: ""; display: block; clear: both; } READ: Architecture: Words or Shapes EssayThe first opera on record is called Deafen (1597). The text of the opera was written by, Titivation Ruining (1562 1621). The music was scored by, Jackpot Peer (1561-1633). The opera, which consisted of a prologue and six scenes, was performed during the pre- Lenten Carnival of Palazzo Coors. The Camera Formation, an academy of wealthy Italians who studied ancient Greek and Roman theatre, produced Deafen. Performers can sing the librettos; these performances are called an aria (solo), a duet, a trio, and a quartet respectively. The visual display (intermezzo), along with musical excellence and strong performances, keep opera alive as a form of powerful dramatic art. Staging, Scenery, and Lighting The use of perspective drawing as a means to capture realistic backdrops was a common theme among 16th century stage designers. The illusion of depth was achieved through perspective drawing techniques using vanishing points as objects appeared closer to the horizon; they were painted smaller and smaller on their scenic backdrops. The first use of this technique is believed to have occurred in 508, for a performance of Arrestors La Cascaras. A leading author and set creator named Sebastian Serial wrote about this technique and other scene design methods in his book Architecture (1545). Different kinds of illusionists backdrops settings were developed for the three major types of plays of the era (comic, pastoral, and tragic). A three-sided revolving prism called the perestroika, was developed to change between different settings. This was quite an innovation for its time, as the scenery could be changed right before the audiences eyes. Other advances included the proscenium Ramee and front curtain along with varied flying machines (glories) and other special effects. Lighting inside the dark theaters of renaissance Italy also had to be addressed. Oil lamps and candles were the primary source of stage lighting. Though candles and lamps produced some smoke, they were placed in chandeliers and on the front of the stage. Placing translucent receptacles or canisters over them could dim candles when lower light levels were called for. Due to the size and lack of sufficient lighting of the theatres, artificial lighting was an ever-present necessity. The History of Italian Theatre Essay Example For Students The History of Italian Theatre Essay The Italian Renaissance occurred from 1550 1700. The rapid economic growth in Italy during this time made it possible for the more wealthy citizens to indulge in alternate forms of entertainment. Wealthy families such as the Medics began a system of patronage, in which they would finance artists to produce art in many forms. Italian theatre used the plays of ancient Greek and Roman theatre (dramas) as well as mediaeval theatre (religious plays) as a foundation. Comedic delegate The main style used by theatre groups in Italy during this period was called comedic or Comedic delegate. Comedic delegate or the comedy of professional artists was a mainstay in Italian theatre during its renaissance. This included bits of comedy performed by different actors called lazuli. The type of comedy used in the Italian Renaissance was what is now known as slapstick or farce. This was a comedy style, which highlighted pain or misfortune occurring to the actors in a humorous context. For the most part the actors in these comedies used no scripts. The actors were given a plot or scenario and acted out these plots in a humorous way. These performances were often vulgar and obscene. We will write a custom essay on The History of Italian Theatre specifically for you for only $16.38 $13.9/page Order now Standardize characters developed and appeared in familiar costumes and wearing masks. The character standards for Comedic included these general outlines: Pantaloon: A greedy old man, merchant or fool, often lustful, conniving, and meddling. Tottered: A drunk, often professor or doctor dressed in a cap and gown. Capitan: A soldier who was braggadocios and cowardly. Inamorata: Young lovers who appeared quite normal compared to the rest of the characters. zinnia: Foolish servants. Usually two servants, one being drunk and more foolish than his cohort. Neoclassicists were rigid critics of Italian drama. They developed rules for theatre performances that survived for nearly 200 years in Europe. These mandates were claimed to have been derived from Greek and Roman models. Five central concepts of neoclassicism are as follows; verisimilitude, decorum, purity of genres, the three unities, and two fold purpose. Verisimilitude The seeking of truth. An attempt to portray the performance as a reasonable interpretation of what is real or reasonably expected in real life. Decorum The way in which characters of certain classes behaved according to that class. Age, sex, rank, and profession would be acted out as if the characters held those standings. A strong sense of moral right and wrong was upheld, reflected by the punishment of evil, and the rewarding of good. Purity of Genres Comedy and tragedy were never mixed. The elements of one genre were never to be interspersed with the performance of another. The use of the chorus, the dues ex machine, and the soliloquy, was prohibited. The Three Unities The concept of the unity of time, place, and action. Unity of time required a reasonable time for the action of the play to take place; usually no more than 24 hours. Unity of place required that the play should include no more than one place or location. Unity of action required that there be no sub plots, secondary plots or counter-plots. Two Fold Purpose The two purposes of neoclassical Italian plays were to teach and entertain. Opera Opera is the one form of Italian renaissance theatre that still survives to this day. It was developed in the late asses in Florence. Opera was originally an attempt to recreate a genuine Greek tragedy. Observing the Greek fusion of music and drama, the originators of opera attempted, and succeeded in, producing a completely sung illegal in their interpretations. Opera is a form of drama that creates its mood, actions, and characters through music. .uf78b5835ba511400e19e2de624776623 , .uf78b5835ba511400e19e2de624776623 .postImageUrl , .uf78b5835ba511400e19e2de624776623 .centered-text-area { min-height: 80px; position: relative; } .uf78b5835ba511400e19e2de624776623 , .uf78b5835ba511400e19e2de624776623:hover , .uf78b5835ba511400e19e2de624776623:visited , .uf78b5835ba511400e19e2de624776623:active { border:0!important; } .uf78b5835ba511400e19e2de624776623 .clearfix:after { content: ""; display: table; clear: both; } .uf78b5835ba511400e19e2de624776623 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uf78b5835ba511400e19e2de624776623:active , .uf78b5835ba511400e19e2de624776623:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uf78b5835ba511400e19e2de624776623 .centered-text-area { width: 100%; position: relative ; } .uf78b5835ba511400e19e2de624776623 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uf78b5835ba511400e19e2de624776623 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uf78b5835ba511400e19e2de624776623 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uf78b5835ba511400e19e2de624776623:hover .ctaButton { background-color: #34495E!important; } .uf78b5835ba511400e19e2de624776623 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uf78b5835ba511400e19e2de624776623 .uf78b5835ba511400e19e2de624776623-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uf78b5835ba511400e19e2de624776623:after { content: ""; display: block; clear: both; } READ: Architecture: Words or Shapes EssayThe first opera on record is called Deafen (1597). The text of the opera was written by, Titivation Ruining (1562 1621). The music was scored by, Jackpot Peer (1561-1633). The opera, which consisted of a prologue and six scenes, was performed during the pre- Lenten Carnival of Palazzo Coors. The Camera Formation, an academy of wealthy Italians who studied ancient Greek and Roman theatre, produced Deafen. Performers can sing the librettos; these performances are called an aria (solo), a duet, a trio, and a quartet respectively. The visual display (intermezzo), along with musical excellence and strong performances, keep opera alive as a form of powerful dramatic art. Staging, Scenery, and Lighting The use of perspective drawing as a means to capture realistic backdrops was a common theme among 16th century stage designers. The illusion of depth was achieved through perspective drawing techniques using vanishing points as objects appeared closer to the horizon; they were painted smaller and smaller on their scenic backdrops. The first use of this technique is believed to have occurred in 508, for a performance of Arrestors La Cascaras. A leading author and set creator named Sebastian Serial wrote about this technique and other scene design methods in his book Architecture (1545). Different kinds of illusionists backdrops settings were developed for the three major types of plays of the era (comic, pastoral, and tragic). A three-sided revolving prism called the perestroika, was developed to change between different settings. This was quite an innovation for its time, as the scenery could be changed right before the audiences eyes. Other advances included the proscenium Ramee and front curtain along with varied flying machines (glories) and other special effects. Lighting inside the dark theaters of renaissance Italy also had to be addressed. Oil lamps and candles were the primary source of stage lighting. Though candles and lamps produced some smoke, they were placed in chandeliers and on the front of the stage. Placing translucent receptacles or canisters over them could dim candles when lower light levels were called for. Due to the size and lack of sufficient lighting of the theatres, artificial lighting was an ever-present necessity. The History of Italian Theatre Essay Example For Students The History of Italian Theatre Essay The Italian Renaissance occurred from 1550 1700. The rapid economic growth in Italy during this time made it possible for the more wealthy citizens to indulge in alternate forms of entertainment. Wealthy families such as the Medics began a system of patronage, in which they would finance artists to produce art in many forms. Italian theatre used the plays of ancient Greek and Roman theatre (dramas) as well as mediaeval theatre (religious plays) as a foundation. Comedic delegate The main style used by theatre groups in Italy during this period was called comedic or Comedic delegate. Comedic delegate or the comedy of professional artists was a mainstay in Italian theatre during its renaissance. This included bits of comedy performed by different actors called lazuli. The type of comedy used in the Italian Renaissance was what is now known as slapstick or farce. This was a comedy style, which highlighted pain or misfortune occurring to the actors in a humorous context. For the most part the actors in these comedies used no scripts. The actors were given a plot or scenario and acted out these plots in a humorous way. These performances were often vulgar and obscene. We will write a custom essay on The History of Italian Theatre specifically for you for only $16.38 $13.9/page Order now Standardize characters developed and appeared in familiar costumes and wearing masks. The character standards for Comedic included these general outlines: Pantaloon: A greedy old man, merchant or fool, often lustful, conniving, and meddling. Tottered: A drunk, often professor or doctor dressed in a cap and gown. Capitan: A soldier who was braggadocios and cowardly. Inamorata: Young lovers who appeared quite normal compared to the rest of the characters. zinnia: Foolish servants. Usually two servants, one being drunk and more foolish than his cohort. Neoclassicists were rigid critics of Italian drama. They developed rules for theatre performances that survived for nearly 200 years in Europe. These mandates were claimed to have been derived from Greek and Roman models. Five central concepts of neoclassicism are as follows; verisimilitude, decorum, purity of genres, the three unities, and two fold purpose. Verisimilitude The seeking of truth. An attempt to portray the performance as a reasonable interpretation of what is real or reasonably expected in real life. Decorum The way in which characters of certain classes behaved according to that class. Age, sex, rank, and profession would be acted out as if the characters held those standings. A strong sense of moral right and wrong was upheld, reflected by the punishment of evil, and the rewarding of good. Purity of Genres Comedy and tragedy were never mixed. The elements of one genre were never to be interspersed with the performance of another. The use of the chorus, the dues ex machine, and the soliloquy, was prohibited. The Three Unities The concept of the unity of time, place, and action. Unity of time required a reasonable time for the action of the play to take place; usually no more than 24 hours. Unity of place required that the play should include no more than one place or location. Unity of action required that there be no sub plots, secondary plots or counter-plots. Two Fold Purpose The two purposes of neoclassical Italian plays were to teach and entertain. Opera Opera is the one form of Italian renaissance theatre that still survives to this day. It was developed in the late asses in Florence. Opera was originally an attempt to recreate a genuine Greek tragedy. Observing the Greek fusion of music and drama, the originators of opera attempted, and succeeded in, producing a completely sung illegal in their interpretations. Opera is a form of drama that creates its mood, actions, and characters through music. .uf78b5835ba511400e19e2de624776623 , .uf78b5835ba511400e19e2de624776623 .postImageUrl , .uf78b5835ba511400e19e2de624776623 .centered-text-area { min-height: 80px; position: relative; } .uf78b5835ba511400e19e2de624776623 , .uf78b5835ba511400e19e2de624776623:hover , .uf78b5835ba511400e19e2de624776623:visited , .uf78b5835ba511400e19e2de624776623:active { border:0!important; } .uf78b5835ba511400e19e2de624776623 .clearfix:after { content: ""; display: table; clear: both; } .uf78b5835ba511400e19e2de624776623 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uf78b5835ba511400e19e2de624776623:active , .uf78b5835ba511400e19e2de624776623:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uf78b5835ba511400e19e2de624776623 .centered-text-area { width: 100%; position: relative ; } .uf78b5835ba511400e19e2de624776623 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uf78b5835ba511400e19e2de624776623 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uf78b5835ba511400e19e2de624776623 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uf78b5835ba511400e19e2de624776623:hover .ctaButton { background-color: #34495E!important; } .uf78b5835ba511400e19e2de624776623 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uf78b5835ba511400e19e2de624776623 .uf78b5835ba511400e19e2de624776623-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uf78b5835ba511400e19e2de624776623:after { content: ""; display: block; clear: both; } READ: Architecture: Words or Shapes EssayThe first opera on record is called Deafen (1597). The text of the opera was written by, Titivation Ruining (1562 1621). The music was scored by, Jackpot Peer (1561-1633). The opera, which consisted of a prologue and six scenes, was performed during the pre- Lenten Carnival of Palazzo Coors. The Camera Formation, an academy of wealthy Italians who studied ancient Greek and Roman theatre, produced Deafen. Performers can sing the librettos; these performances are called an aria (solo), a duet, a trio, and a quartet respectively. The visual display (intermezzo), along with musical excellence and strong performances, keep opera alive as a form of powerful dramatic art. Staging, Scenery, and Lighting The use of perspective drawing as a means to capture realistic backdrops was a common theme among 16th century stage designers. The illusion of depth was achieved through perspective drawing techniques using vanishing points as objects appeared closer to the horizon; they were painted smaller and smaller on their scenic backdrops. The first use of this technique is believed to have occurred in 508, for a performance of Arrestors La Cascaras. A leading author and set creator named Sebastian Serial wrote about this technique and other scene design methods in his book Architecture (1545). Different kinds of illusionists backdrops settings were developed for the three major types of plays of the era (comic, pastoral, and tragic). A three-sided revolving prism called the perestroika, was developed to change between different settings. This was quite an innovation for its time, as the scenery could be changed right before the audiences eyes. Other advances included the proscenium Ramee and front curtain along with varied flying machines (glories) and other special effects. Lighting inside the dark theaters of renaissance Italy also had to be addressed. Oil lamps and candles were the primary source of stage lighting. Though candles and lamps produced some smoke, they were placed in chandeliers and on the front of the stage. Placing translucent receptacles or canisters over them could dim candles when lower light levels were called for. Due to the size and lack of sufficient lighting of the theatres, artificial lighting was an ever-present necessity. The History of Italian Theatre Essay Example For Students The History of Italian Theatre Essay The Italian Renaissance occurred from 1550 1700. The rapid economic growth in Italy during this time made it possible for the more wealthy citizens to indulge in alternate forms of entertainment. Wealthy families such as the Medics began a system of patronage, in which they would finance artists to produce art in many forms. Italian theatre used the plays of ancient Greek and Roman theatre (dramas) as well as mediaeval theatre (religious plays) as a foundation. Comedic delegate The main style used by theatre groups in Italy during this period was called comedic or Comedic delegate. Comedic delegate or the comedy of professional artists was a mainstay in Italian theatre during its renaissance. This included bits of comedy performed by different actors called lazuli. The type of comedy used in the Italian Renaissance was what is now known as slapstick or farce. This was a comedy style, which highlighted pain or misfortune occurring to the actors in a humorous context. For the most part the actors in these comedies used no scripts. The actors were given a plot or scenario and acted out these plots in a humorous way. These performances were often vulgar and obscene. We will write a custom essay on The History of Italian Theatre specifically for you for only $16.38 $13.9/page Order now Standardize characters developed and appeared in familiar costumes and wearing masks. The character standards for Comedic included these general outlines: Pantaloon: A greedy old man, merchant or fool, often lustful, conniving, and meddling. Tottered: A drunk, often professor or doctor dressed in a cap and gown. Capitan: A soldier who was braggadocios and cowardly. Inamorata: Young lovers who appeared quite normal compared to the rest of the characters. zinnia: Foolish servants. Usually two servants, one being drunk and more foolish than his cohort. Neoclassicists were rigid critics of Italian drama. They developed rules for theatre performances that survived for nearly 200 years in Europe. These mandates were claimed to have been derived from Greek and Roman models. Five central concepts of neoclassicism are as follows; verisimilitude, decorum, purity of genres, the three unities, and two fold purpose. Verisimilitude The seeking of truth. An attempt to portray the performance as a reasonable interpretation of what is real or reasonably expected in real life. Decorum The way in which characters of certain classes behaved according to that class. Age, sex, rank, and profession would be acted out as if the characters held those standings. A strong sense of moral right and wrong was upheld, reflected by the punishment of evil, and the rewarding of good. Purity of Genres Comedy and tragedy were never mixed. The elements of one genre were never to be interspersed with the performance of another. The use of the chorus, the dues ex machine, and the soliloquy, was prohibited. The Three Unities The concept of the unity of time, place, and action. Unity of time required a reasonable time for the action of the play to take place; usually no more than 24 hours. Unity of place required that the play should include no more than one place or location. Unity of action required that there be no sub plots, secondary plots or counter-plots. Two Fold Purpose The two purposes of neoclassical Italian plays were to teach and entertain. Opera Opera is the one form of Italian renaissance theatre that still survives to this day. It was developed in the late asses in Florence. Opera was originally an attempt to recreate a genuine Greek tragedy. Observing the Greek fusion of music and drama, the originators of opera attempted, and succeeded in, producing a completely sung illegal in their interpretations. Opera is a form of drama that creates its mood, actions, and characters through music. .uf78b5835ba511400e19e2de624776623 , .uf78b5835ba511400e19e2de624776623 .postImageUrl , .uf78b5835ba511400e19e2de624776623 .centered-text-area { min-height: 80px; position: relative; } .uf78b5835ba511400e19e2de624776623 , .uf78b5835ba511400e19e2de624776623:hover , .uf78b5835ba511400e19e2de624776623:visited , .uf78b5835ba511400e19e2de624776623:active { border:0!important; } .uf78b5835ba511400e19e2de624776623 .clearfix:after { content: ""; display: table; clear: both; } .uf78b5835ba511400e19e2de624776623 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uf78b5835ba511400e19e2de624776623:active , .uf78b5835ba511400e19e2de624776623:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uf78b5835ba511400e19e2de624776623 .centered-text-area { width: 100%; position: relative ; } .uf78b5835ba511400e19e2de624776623 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uf78b5835ba511400e19e2de624776623 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uf78b5835ba511400e19e2de624776623 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uf78b5835ba511400e19e2de624776623:hover .ctaButton { background-color: #34495E!important; } .uf78b5835ba511400e19e2de624776623 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uf78b5835ba511400e19e2de624776623 .uf78b5835ba511400e19e2de624776623-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uf78b5835ba511400e19e2de624776623:after { content: ""; display: block; clear: both; } READ: Architecture: Words or Shapes EssayThe first opera on record is called Deafen (1597). The text of the opera was written by, Titivation Ruining (1562 1621). The music was scored by, Jackpot Peer (1561-1633). The opera, which consisted of a prologue and six scenes, was performed during the pre- Lenten Carnival of Palazzo Coors. The Camera Formation, an academy of wealthy Italians who studied ancient Greek and Roman theatre, produced Deafen. Performers can sing the librettos; these performances are called an aria (solo), a duet, a trio, and a quartet respectively. The visual display (intermezzo), along with musical excellence and strong performances, keep opera alive as a form of powerful dramatic art. Staging, Scenery, and Lighting The use of perspective drawing as a means to capture realistic backdrops was a common theme among 16th century stage designers. The illusion of depth was achieved through perspective drawing techniques using vanishing points as objects appeared closer to the horizon; they were painted smaller and smaller on their scenic backdrops. The first use of this technique is believed to have occurred in 508, for a performance of Arrestors La Cascaras. A leading author and set creator named Sebastian Serial wrote about this technique and other scene design methods in his book Architecture (1545). Different kinds of illusionists backdrops settings were developed for the three major types of plays of the era (comic, pastoral, and tragic). A three-sided revolving prism called the perestroika, was developed to change between different settings. This was quite an innovation for its time, as the scenery could be changed right before the audiences eyes. Other advances included the proscenium Ramee and front curtain along with varied flying machines (glories) and other special effects. Lighting inside the dark theaters of renaissance Italy also had to be addressed. Oil lamps and candles were the primary source of stage lighting. Though candles and lamps produced some smoke, they were placed in chandeliers and on the front of the stage. Placing translucent receptacles or canisters over them could dim candles when lower light levels were called for. Due to the size and lack of sufficient lighting of the theatres, artificial lighting was an ever-present necessity.

Free Essays on Robert Browning

Robert Browning’s poem â€Å"My last Duchess† is spoken from the perspective of the Duke and conveys the Dukes personality through the literary form of a dramatic monologue. It involves a fictional account of the Duke addressing an envoy from the Count to talk of details for the hopeful marriage to the Count’s daughter. The subtitle of this monologue is â€Å"Ferrara,† which suggests an historical reference to Alfonso II, the fifth Duke of Ferrara in Italy in the mid-sixteenth century. The objective of the Duke is to attempt to sway the envoy’s opinion of himself to obtain the maximum dowry possible in pursuit of this marriage. The reader is directed to imagine the Duke walking with the envoy through his art gallery and the Duke stops to show him a painting of his last Duchess that is presently covered by a curtain. â€Å"Since none puts by / the curtain I have drawn for you, but I† (9-10). This curtain is the first reference to the Dukes selfish, jealous, and protective traits. The Duke uses the curtain as a method of controlling his wife, even after her death. Other men admiring her beauty was unacceptable, so by hiding the painting behind a curtain, he controls who is allowed to gaze upon her. â€Å"Sir, ‘twas not / her husband’s presence only, called that spot / of joy into the Duchess’ cheek† (13-15). The Duke mentions the blush on the cheek that the duchess has in the painting and assumes that Fr Pandolf, the painter, was attracted to the Duchess and possibly paid her a compliment. â€Å"Her mantle laps Over my lady’s wrist too much,’ or ‘Paint Must never hope to reproduce the faint Half-flush that dies along her throat.† (16-19) The Duke assumes that Fr Pandolf was most likely flirting with the Duchess and that she was flirting back with him. This demonstrates that the Duke was extremely jealous and could not stand to have his wife admired by other men. The Duke is not happy with the manner in w... Free Essays on Robert Browning Free Essays on Robert Browning Robert Browning’s poem â€Å"My last Duchess† is spoken from the perspective of the Duke and conveys the Dukes personality through the literary form of a dramatic monologue. It involves a fictional account of the Duke addressing an envoy from the Count to talk of details for the hopeful marriage to the Count’s daughter. The subtitle of this monologue is â€Å"Ferrara,† which suggests an historical reference to Alfonso II, the fifth Duke of Ferrara in Italy in the mid-sixteenth century. The objective of the Duke is to attempt to sway the envoy’s opinion of himself to obtain the maximum dowry possible in pursuit of this marriage. The reader is directed to imagine the Duke walking with the envoy through his art gallery and the Duke stops to show him a painting of his last Duchess that is presently covered by a curtain. â€Å"Since none puts by / the curtain I have drawn for you, but I† (9-10). This curtain is the first reference to the Dukes selfish, jealous, and protective traits. The Duke uses the curtain as a method of controlling his wife, even after her death. Other men admiring her beauty was unacceptable, so by hiding the painting behind a curtain, he controls who is allowed to gaze upon her. â€Å"Sir, ‘twas not / her husband’s presence only, called that spot / of joy into the Duchess’ cheek† (13-15). The Duke mentions the blush on the cheek that the duchess has in the painting and assumes that Fr Pandolf, the painter, was attracted to the Duchess and possibly paid her a compliment. â€Å"Her mantle laps Over my lady’s wrist too much,’ or ‘Paint Must never hope to reproduce the faint Half-flush that dies along her throat.† (16-19) The Duke assumes that Fr Pandolf was most likely flirting with the Duchess and that she was flirting back with him. This demonstrates that the Duke was extremely jealous and could not stand to have his wife admired by other men. The Duke is not happy with the manner in w...

Banking System and Macroeconomic Effects †MyAssignmenthelp

Crypto currencies are forms of digital currency. These currencies use encryption techniques in order to regulate the generation of currency units. Bitcoin is one such crypto currency. Crypto currency is not yet considered as a legal tender in most countries. In fact, at present most of the central banks of the world are putting efforts to ban the trade of crypto currencies. Over the last few years, certain crypto currencies like Bitcoin have garnered immense attention from across different traders owing to their volatile nature. Bitcoin was introduced in the year 2009. The currency is traded without a middleman and with zero bank involvement. It is a peer to peer network through which this currency is traded and transactions are made directly to the parties. Bit coin can be used to trade in goods and services, some use it as a form of investment and some are using it for making payment of businesses (Popper, N., 2015). However, most countries have yet not accepted it as a legal payme nt methodology. It is similar to digital cash transaction as Bitcoin can also be sent through mobile applications and puters. Bitcoin is stored in a digital wallet. These wallets are used as a virtual bank account that allows users to save, send and receive their payments. These wallets are not recognised by the FDIC as methods of paying for goods or services. Bitcoin works as a medium of exchange for goods and services in four countries at the moment which are Japan, Canada, Germany and Holland. Bitcoin is considered to be a form of currency as it can be stored for future investments (Forrester and Solomon, 2013). Bitcoin investment of an individual can also reflect upon the purchasing power of consumer. Consumer have the option to buy the currency, hold it in their accounts or book profits as they deem profitable depending upon the volatility in the market (Bit coin, 2018). Merchants who accept Bit coin as a payment can convert it into standard currency that is in Dollars, Euros etc. Bitcoin has some advantages as it introduces a new payment mechanism; tipping system, automated payment solution, time locked payment management, public asset tracking, low trust escrow services, micro payment channels and more such facilities (Bit coin, 2018). Another advantage of Bitcoin is that its high volatility in the currency market makes it a ‘high risk and high return’ asset. Pegging any currency against the dollar refers to the act of fixing the currency value with respect to the value of Dollar. In other words we can say that the value of US dollar against the other currency is fixed and will not move irrespective of how the market functions. The process of pegging currency with US dollar is often conducted in oil extracting countries as US is the largest importer of oil. GCC economies are the third largest economy. The growth of this economy is highly dependent on selling oil (The Economist, 2018). By pegging the GCC against Dollar has several advantages and disadvantages. Pegging of currency eliminates the risk of currency fluctuations and the risks associated with it. This provides stability to the currency in the international currency market. Pegging encourages the regional currency valuation as the dollar is considered to be the standard currency and by pegging with dollar, currency of other country does not fluctuate (Brooking, 2018). In countries like Saudi Arabia and Venezuela pegging with US dollar has been done in order to protect the countries from the risk of currency fluctuations because US is the major importer for oil. Various countries opt for pegging in order to increase external trade in the country. As external trade increases, the GDP of the country also increases. When pegging of a currency is done to a higher value currency then the value of the country enhances in the public opinion making it an attractive destination to invest. Therefore investment b es easier in that country. This process also protect country from speculation Pegging also gives freedom to set rules and economic policies, interest rates and help to control inflation in the country. Therefore countries must peg their currencies to dollar in order to limit their risks. If a country currency is pegged with the US dollar then the country can take more loan as it will have a more stable environment and economy. Pegging also helps in getting better deals for international loans and interest rates provided the economy’s inflation is in control. The loan taken in the dollar value is harder to pay off because dollar has the high value as pared to the other currency. Therefore in the longer run, pegging would result in rising cost of capital and increased import prices (Espinoza and Prasad, 2010).   The country which pegs it’s currency with the USD has to maintain a high reserve of dollars. It means central bank of that country has to hold a high amount of reserves in US dollars (Financial Times, 2018). Holding of foreign currency reserve (dollar) indulges a cost which adversely affects the economy. Pegging also leads to an increase in inflation. Growth and development of a country is dependent on the performance of dollar. Monetary policies are restricted in every country and are wholly dependent on the performance of the currency to which the currency is pegged. Similarly in the case of US dollar and countries pegged with it, it means that if the value of US dollar falls the currency of other country will also fall and vice versa. Bitcoin, 2018. ‘Bit coin for developers’. [Online]. Available at:   https://Bit coin.org/en/Bit coin-for-developers [ACCESSED ON 30 th march 2018] Bitcoin, 2018. ‘Bit coin for individual’. [Online]. Available at:   https://Bit coin.org/en/Bit coin-for-individuals. [ACCESSED ON 30 th march 2018] Brooking, (2018). ‘Sustaining the GCC currency pegs: The need for collaboration’. [Online]. Available at: https://www.brookings.edu/research/sustaining-the-gcc-currency-pegs-the-need-for-collaboration/. [ACCESSED ON 31 th march 2018] Espinoza, R.A. and Prasad, A., 2010.  Ã¢â‚¬ËœNonperforming loans in the GCC banking system and their macroeconomic effects (No. 10-224)’. International Monetary Fund. Financial Times, 2018. ‘Gulf’s dollar peg makes sense’. [Online]. Available at:   https://www.eiu /industry/article/1725886356/will-the-gulf-co-operation-council-currency-pegs-survive/2017-09-13. [ACCESSED ON 31th march 2018] Forrester, D. and Solomon, M., 2013.  Ã¢â‚¬ËœBitcoin explained: Today's plete guide to tomorrow's currency’. CreateSpace Independent publishing platform. Popper, N., 2015.  Digital gold: Bitcoin and the inside story of the misfits and millionaires trying to reinvent money  (pp. 156-197). New York: Harper. Tanha, H. and Dempsey, M., 2017. Derivatives usage in emerging markets following the GFC: Evidence from the GCC countries.  Emerging Markets Finance and Trade,  53(1), pp.170-179. The Economist, 2018. ‘Financial Services’. [Online]. Available at:   https://www.eiu /industry/article/1725886356/will-the-gulf-co-operation-council-currency-pegs-survive/2017-09-13. [ACCESSED ON 30 th march 2018]. The National, 2018. ‘Why GCC states should ditch the dollar peg and switch to a currency basket’. [Online]. Available at: https://www.thenational.ae/business/economy/why-gcc-states-should-ditch-the-dollar-peg-and-switch-to-a-currency-basket-1.700668. [ACCESSED ON 31 th march 2018]